Saturday, May 26, 2012

My Early Favorite Tangos

When I first got into tango I knew very little about the music so I began purchasing, trading and of course, listening and discussing tango. I collected from friends, music stores, milongas, wherever and whenever. With time, my collection and knowledge grew. But in those early years I bought mostly Cd's and the memories that were formed from those Cd's still exist with me today. Back in 2002 in Los Angeles things were much different than they are now, the ipod was just released but I didn't have one, itunes? Hell, I was just learning to transfer music to my home computer! I mostly listened to Cd's and I didn't have a wide variety. I have since, listened to a lot of different tango since those early years but surprisingly, what tango music I listen to today is very similar to what I enjoyed during those early years of tango.      


I thought it would be interesting to come up with a personal list of my favorite tangos during those early years, the Cd which contains the song and why I love each one so much. Each one has a personal little story as to why these songs are endearing to me. I am sure each one of us has his own personal list of early favorite tangos, in no particular order, here is mine.



1. Amarras (Orquesta Juan D'Arienzo with Héctor Mauré) 07/21/1944'
Music: Carlos Marchisio
Lyrics: Carmelo Santiago

D'Arienzo Maure

I fell in love with the voice of  Héctor Mauré  many years ago when I first listened to the D'Arienzo Maure Cd from the BMG Tango Series (RCA). This is one of the many Cd's I purchased from the late Mark Celaya who directed me to so many tango musical treasures during those early years in Los Angeles. Although a clearer copy of this can be found on another Cd's this does have some of the cleanest copies of many songs by D'Arienzo with Mauré. The song is so enchanting to me from the opening bandoneon lick to the heartwrentching lyrics and Mauré's vocals have so much feeling that no matter how many times I listen to "Amarras" it always brings me to chills. I had forgotten about this CD after overplaying it and getting sick of it and one weekend I heard "Amarras" while taking classes with Julio Balmaceda & Corina De LaRosa in San Francisco in 2006. It made me remember how sweet that tango was and that weekend I danced for the first time with Corina and this song was in the the tanda that we danced. I was in heaven but trembling. To this day, it is still my favorite tango of all time.

2. Nido Gaucho (Orquesta Carlos Di Sarli with Alberto Podesta) 11/30/42'
Music: Carlos Di Sarli
Lyrics: Hector Marco

Sus Primeros Exitos Vol. 2

I talked Claudia Cortes into buying me some music during her first visit to Argentina back around 2006 and she brought me back 3 Cd's and one of them was a Carlos Di Sarli with Alberto Podesta from the Tango Argentino series (RCA) and it had "Nido Gaucho" composed by Maestro Di Sarli himself. I fell in love with this song from the moment I heard it, the beautiful theme of the song, Podesta's deep and rich voice. There are other CD's that have a better sound but I obsessed over every scratch. Even the cover brings back memories for me of those times when Claudia came back from Argentina and we began to form a wonderful friendship inside and outside tango.


3. Golgota (Orquesta Rodolfo Biagi with Teófilo Ibáñez) 08/19/38'
Music: Rodolfo Biagi
Lyrics: Francisco Gorrindo


Sus Exitos con Andreas Falgas y Teofilo Ibanez

The first person that introduced me to Rodolfo Biagi was my first tango teacher, Hugo Patyn. He used to have a milonga called "El Adoquin" back around 2003 along with Miriam Larici. That was a very special time for me for that was where I learned to dance and formed my first tango friendships. Every Friday I would be there like clockwork to take their class and stay for the milonga. Hugo loved Biagi's instrumental version of "El Rocodo" which intrigued me when he would play it. So when I learned which orchestra played it I bought the first Biagi Cd that I could get my hands on and it was the "Reliquias" Cd above. "Golgota" soon caught my attention and I thought it was amazing and so far ahead of it's time. I love the voice of Teofilo Ibanez and it is a perfect match for the rough, edgy and pounding rhythm of early Biagi.




4. Cuatro Palabras (Orquesta Adolfo Carabelli with Charlo) 7-25-33'
Lyrics: Luis Rubistein
Lyrics: Luis Rubistein

Cuatro Palabras

I Whenever I saw Mark Celaya with his Cd collection at a milonga I would always ask him to make some suggestions on what to purchase. As time passed he wouldn't wait for me to ask but would already have suggestions ready for me. Adolfo Carabelli's "Cuatro Palabras was one of the suggestions and I became obsessed with every song on this Cd but the title track, "Cuatro Palabras" would always stand out to me. Charlo's voice was so different than any of the other masculine voices that I had heard up to this point and the haunting bandoneon at the start of the song that has to be Ciriaco Ortiz, foreshadows what she says to him in the song. That the four words that she is saying to him over the telephone has assured him that she will never be his again. Ah, this song always brings me back to those early years in LA when tango was just growing and we didn't have all the milongas that we have now. Also, it was quite remarkable to me as to how clear sounding the Cd was for the year of the recording.


5. Marioneta (Orquesta Alfredo De Angelis with Floreal Ruiz) 07/23/43'
Music: Juan Jose Martin Guichandut
Lyrics: Armando Tagini

From Argentina to the World

Another suggestion from Mark Celaya, I focused on the valses when I first began listening to the Cd but then I fell in love with the Tangos. This Cd reminds me of driving around with Orlando Paiva Jr. through the night time Los Angeles Freeways on route to a milonga. For some reason this Cd was always playing around that time. It is too bad that Floreal Ruiz left the De Angelis Orquestra so early because in my opinion, the small recordings he did with De Angelis are superior to anything he did after, including his wonderful works with Anibal Troilo. 


6. Te Juro Madre Mia (Orquesta Osvaldo Fresedo with Roberto Ray) 02/15/35'
Music: 
Lyrics: Jose Sassone

Vida Mia 1933 1938

I knew that I was listening to a lot of tango music when one night at a milonga I overheard a couple talking among themselves and asking which orquestra was playing and I interrupted explaining that it was Osvaldo Fresedo with Roberto Ray singing and the title was, "Vida Mia". Just the fact that I knew the orquestra, singer and song impressed the couple and even me! I had learned this by listening to this Cd constantly and there was one track that would make me cry on the way home after the milonga. One of the events in my life that led me to tango was the death of my mother and that is why, "Te Juro Madre Mia" has brought me to tears so many times. Roberto Ray is one of my favorite singers and in this tango, in his smooth and pleasant voice he swears to his mother that he will change and become a better person to make up for all the worrying that he has caused her. I can really relate to that.


7. Yo Soy El Tango (Orquesta Anibal Troilo with Francisco Fiorentino) 03/04/41'
Music: Domingo Federico
Lyrics: Homer Exposito

RCA Victor 100 Anos, Anibal Troilo y Sus Cantores

Right after my mother passed away I got to visiting San Francisco quite frequently to get away from my surroundings and visit friends. I had only been dancing tango a short time but once in awhile I would break away from the bar scene, muster up some courage and go to a milonga or two. One of my favorite during that time was "The Golden Gate Yacht Club" milonga. It was right on The San Francisco Bay and I would take the bus to the bay and walk along the peninsula that led out to the where the milonga was held. You could hear the music almost echoing into the misty bay as you approached. The first time I went there I heard, "Yo Soy El Tango" as I walked in, they had a bar at the entrance and I ordered a drink as Francisco Fiorentino sang to me about how he was the tango that was born in the slums and even though he is now in salons, he will never be tamed. The distinctive high pitched bandoneon of Anibal Troilo fits perfect within this tango and ties together a memory that for me will last forever,



8. Malena (Adriana Varela) 93'
Music: Lucio Demare
Lyrics: Homero Manzi


Maquillaje

The first time I took a road trip with Claudia Cortes was in 2005 to a tango festival in Reno and she brought a whole suitcase of her Cd's and she played Dj the whole 8 hour as we drove to Reno, Nevada. One of the songs among the wide variety of songs that she played that weekend was, "Malena" by Adriana Varela although her and I had no idea who the artist was. I immediately fell in love with her rich and sultry voice and I wanted to hear more of it. Once I found out who this beautiful voice belonged to I bought "Maquillaje" at a tango festival and I have not stopped listening to this wonderful piece of art since. Esteban Morgado plays guitar on this beautiful version of "Malena" and compliments her unique voice.


9. Al Compas De Un Tango (Ricardo Tanturi canta Alberto Castillo) 03/13/42'
Music: Alberto Suarez Villanueva
Lyrics: Oscar Rubens

Cuatro Compases

Another Cd that I purchased from Mark Celaya when he used to bring his CD collection to Luba's Milonga out in Costa Mesa (Orange County). This Cd is not of very good quality but you can read about that in my other blogs. I ignored this CD for awhile and then a girl tore my heart out and I went into a depression. I stopped dancing and only left the house when I had to, then while driving back from San Francisco one night I found the Cd in my glovebox  and put it in my car stereo. I had never liked Tanturi although I had given his music plenty of chances. But during that car ride, I related to everything Alberto Castillo was singing to me in this beautiful song, telling me to return to the milonga, where to the beat of a tango I would forget the girl who had broken my heart and I would meet somebody who could not only dance but understand my pain. I eventually did exactly as the song suggested, but all that led to another broken heart.



10. Alas Rotas (Edgardo Donato canta Horacio Lagos) 12/09/38'
Music: Edgardo Donato
Lyrics: Maruja Pacheco Huergo

A Media Luz

Of all the tango that I listened to while I was learning about the music (which I still am), The Orchestra of Edgardo Donato stands on top for me during those early years of dancing and had a huge influence in shaping my dancing. This Cd, "A Media Luz", which once more, was a suggestion from Mark Celaya must have been played by me hundreds and hundreds of times and every track brings a memory of those early years in tango where there weren't that many milongas in LA and a night of dancing seemed so special to me. "Alas Rotas" is a song that is just one of those songs that I will never get tired of listening to and when Horacio Lagos sings, "Estoy solo en mi dolor y tengo miedo, esta ausencia que me aleja mas de ti", it speaks to me of the times I have been alone after losing love.

This is just some of the tango songs that are special to me and I still love after all these years and I am sure I will continue loving for years to come.






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